Corsage puts other 'feminist' period dramas to shame Vicky Krieps rules the screen ⭐⭐⭐⭐⭐
; a corded telephone on the wall or a contemporary pop song played by a period-correct band on their instruments. It’s tongue in cheek but never in your face: the aim seems to be to gently prod the viewer about the modernity and relevance of female celebrity, vanity and pain while never going to great lengths to be post-modern or too clever with it.
Sisi was a complex character, and Krieps and Kreutzer do her remarkable justice – profoundly lonely, often using her wealth and power in unfair ways, but also wounded and grieving from a world that wants her to hide her vivacity and intelligence, to be bovine and accepting of her lot.More on
Belgique Dernières Nouvelles, Belgique Actualités
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