Corsets and cool-girl cargo pants were the takeaways from Dior, where the inspiration was Catherine de Medici.
, its potential and its limits, in particular. It’s something that Maria Grazia Chiuri has always been interested in during her tenure at Dior, a woman’s autonomy and the part that clothes play in asserting that.today in front of an audience that included Emma Raducanu, Maggie Gyllenhaal, Ramla Ali and Chimamanda Ngozi Adichie , she navigated this terrain once more.Now, she was thinking about Catherine de Medici, the Italian noblewoman who arrived in the French court in 1533.
Rather than treat them as archaic symbols of restraint, Grazia Chiuri employed a light touch to render them not only modern, but functional. Look at that unapologetic corsetry or those crinolines, their construction exposed, they felt more like a sweeping statement of intent than something cumbersome. How liberating.An image of a Paris map – lifted from a 1950s scarf from the Dior archives – provided this season’s key print story.
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