As Love Life hits UK cinemas, Japanese writer-director Kōji Fukada talks about his tale of grief, loneliness, deaf culture and his enduring love of French cinema
. “It gave me the idea for the relationships and how I could use the song in the film. I just love the song so much. Too much.”
A deaf Korean man, Park abandoned Taeko four years prior, and when he arrives at Keito’s funeral, he reveals he’s also homeless. For Taeko, it’s not just that an excruciating love triangle emerges, but there’s a new male figure in her life requiring assistance. All the while, Jiro is left excluded by Keito interacting with her ex-husband via Korean sign language. In Fukada’s early writing stages, though, Park wasn’t deaf, and he was going to speak French or Spanish.
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