The mezzo-soprano’s affecting recital celebrated the liberating immediacy of live performance with music from Handel to Berlioz, Mahler and Edith Piaf
’s exploration of voluntary withdrawal from the world into a life of contemplation in the Rückert-Lieder. The Haydn, as one might expect, suited DiDonato down to the ground. Recitative and aria were finely integrated into a dramatic and psychological whole, the oscillations between grief and rage superbly done, the emotions at once contained and vivid.
Belgique Dernières Nouvelles, Belgique Actualités
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