The London-based designer explains why the future of haute couture lies in emerging talent.
graduate has a taste inspired by trinkets of the past, combined with her signature ultra-feminine panache. “I’ve always been intrigued by old things such as vintage clothing and antique furniture,” says Park. “I see potential in the classic and timeless because many of those get forgotten.”
“Growing up in Korea, it was a very conservative culture and I was this weird kid who was drawing all the time. But when I came to CSM, the tutors pushed me to be the most extreme version of myself.” “Couture shouldn’t just be for big fashion houses with an atelier in Paris, it’s about the craftsmanship and artistry. We’re in a world where there’s so much mass-produced clothing creating unnecessary waste, so I hope to see more young couturiers in the future who go against this.”
Belgique Dernières Nouvelles, Belgique Actualités
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