Riccardo Tisci Fuses Burberry’s Back Catalogue with French Haute Couture

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Riccardo Tisci Fuses Burberry’s Back Catalogue with French Haute Couture
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What did you think of the show?

In a sense, this was the most Burberry collection Tisci has created, revolving around the check, the car coat and the trench, three pillars of the house. He has played with them before, of course, in collections exploring the idea of gentlemen and ladies, punks and princesses. But it felt as if, perhaps, the dust had settled on his renovation, including physical changes of retail environments and the ideological shift of the Burberry logotype.

“For an Italian, Britain is important. I studied here, it’s the country that gave me everything. It’s such a historical country, there’s so much to say. To touch that, takes time.” Tisci was talking about a country when he said that, but he could have been talking about the storied history of Burberry.

Tisci said he felt freer with this Burberry collection. “I feel more at home. I can play with it,” he said. His show was presented on the eve of his fourth year at the helm as chief creative officer. The strength of this collection was in that confidence, an assurance in a view of Britishness informed by his education and Burberry’s impressive archives, but formed by instinct.

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