Musically-minded villain doesn’t really make this a feminist film, or bring much coherence to the mayhem she orchestrates
nother entry to chalk up in the neo-giallo wave currently being led by Prano Bailey-Bond’s Censor, this also flips the misogynistic precepts of the genre – in this case making the murderous point of view very much female.
Belgique Dernières Nouvelles, Belgique Actualités
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