A historian on how Roman Empire offers a distorted view of America.
Why? Not, I think, out of any particular devotion to Cicero or Ovid. The reason is likelier to be altogether more visceral. The Roman Empire was the apex predator of antiquity: powerful, terrifying, box-office.
If that makes it sound like a tyrannosaur, then perhaps that is no coincidence. The Romans, much like the dinosaurs, are not merely glamorous—they are also safely extinct. Two thousand years have passed since the heyday of the. The age when the capital was at its most teeming and gilded, when the sands of the Colosseum were black with the blood of gladiators, when the rule of Caesar was backed by legions capable of visiting slaughter and ruin on all who opposed them, are long gone.
The display of might—especially when backed up by color, clamor, and overpowering architecture—can be stirring, even thrilling. Successful empires have always understood this. It helps to explain why so many capitals in Europe and America are replete with monuments inspired by imperial Rome. Yet the shadow these buildings cast in the 21century is not merely a Roman one. We understand, as the designers of the Capitol and the Arc de Triomphe did not, to what extremes swagger and steel can lead.
But the fascination with power endures. Only the most toxic crank today would confess to finding the displays of Nazism alluring. Yet Julius Caesar—who was reported by one classical biographer to have slaughtered a million people and enslaved another million while conquering the region of Gaul—still has his statue in the centre of Rome, while, just down the road, touts dressed as centurions and gladiators encourage tourists to pose with them outside the Colosseum.
Perhaps, then, it is not surprising that so many Americans today should be thinking about the Roman Empire. They are thinking about a civilization that is at once strange and familiar; terrifying and glamorous; safely extinct and the image of themselves.
Belgique Dernières Nouvelles, Belgique Actualités
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