Vice president Hideki Kamiya, director Yosuke Matsumura and producer Yuji Nakao discuss the standalone release…
After we spoke about what sort of game The Wonderful One would be like, we were discussing who we could have as the director of the game.project and was available to work on The Wonderful One. In one of his one-on-ones with his manager he mentioned that he was interested in pursuing the role of game director going forward.
“Kamiya-san would walk by my desk and see Super Mario Bros on the screen and ask ‘why are you playing that?’ and I would explain it was just for inspiration for The Wonderful One.”I wasn’t directly involved in game design for The Wonderful One, instead handling the overall supervision. So Super Mario was definitely a big inspiration for both of our titles and the advice I gave to Matsumura-san was to explore and follow this concept for The Wonderful One.
In terms of side-scrolling games in general, we were inspired by Contra. In a game like that, probably because of the classic controls of the time, it was very difficult to shoot up and down when you were moving the character.So in The Wonderful One we looked at other classic games that were similar to Contra in nature, such as Forgotten Worlds and Ikari.
After we completed the DLC, I showed the game to our president Inaba-san and vice president Yamane-san and I told them that it would be great to release this as a standalone package. They saw the game and really liked it, and gave us their ok to go ahead and release a standalone version of the game. I think it’s a really fun experience on its own, and if players purchase it and have fun with the game that’s fine, they can stop there. But we also wanted to link that to the existing Wonderful 101 Remastered game and allow players to get more of the overall Wonderful 101 story after they’ve finished playing The Wonderful One.To add to that, we were really confident about The Wonderful One experience, hence the decision to release this as a standalone game.
We’re using some of the know-how that we gained during The Wonderful One and are reusing it in Vol 5. Obviously, we’ll include unique pillars and concepts for Vol 5 on its own, but it would be good to use some of the ideas and experiences that were built in The Wonderful One and fuse those into Neo-Classic Arcade Vol 5.It’s completely different teams working on both games.Bayonetta 3 got a spin-off in Bayonetta Origins, which was a completely different genre of game.
Does it feel good to be able to have those creative brainstorms with an IP? Not too long ago one of Platinum’s big frustrations was that it wanted to have its own IPs to be able to make decisions like that.One of the good things about PlatinumGames is that we have a deeply rooted creative culture in the company.
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