For the past six years or so, Mette’s star has been steadily on the rise – but now, with the impending release of her first EP as a musician, she finally feels fully prepared to step into the spotlight.
. The visual – which showcases Mette’s dizzying dance skills, alongside intercut footage of everything from nature documentaries to archival nightclub footage – served as a powerful reintroduction to Mette, the artist.
Now, its follow-up, “Van Gogh”, has arrived – and while it may have the same infectious, foot-tapping beats as its predecessor, and come accompanied by a similarly eye-popping video, the song is a different beast entirely, displaying Mette’s lighter, more humorous side. “I was in the studio with my collaborator on the song, Jonny Latimer, and I felt like I had no inspiration that day and nothing to write about, so I said,” Mette remembers. “So the song was written almost as a kind of message in a bottle to a future muse. What would I say to this person?” It was when she and Summers-Valli began discussing how to bring it to life visually, however, that the song took on a deeper meaning.
With zero bells and whistles – just a backdrop and Mette’s hypnotic dance moves – the video is a testament to her abilities as a performer.
“I think what’s always interesting to me is multiplicity,” Mette says of the chameleonic array of identities she inhabits throughout the video. “And a part of that is making something heartfelt, but also being inspired by camp. Those might be seen as polar opposites, but they’re really not – they’re existing on the same plane.
Belgique Dernières Nouvelles, Belgique Actualités
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