A look at the tech that makes the new Avatar shine on the big screen
pushes the boundaries of filmmaking technology in a way only a director like Cameron can. It brilliantly succeeds in immersing viewers in an alien world, one so richly detailed that it’s easy to suspend disbelief and merge with it.
The last time HFR made a splash in cinemas was with the release of Peter Jackson’s The Hobbit: An Unexpected Journey , which was shot in 48fps. That’s also how the film was first projected in theaters, though the poor reception that the high-frame-rate The Hobbit received resulted in it being re-mastered in standard 24fps format, which is how most venues ended up screening it.
In a briefing on the tech with Richard Miller, EVP of Technology & GM of TrueCut, and Aaron Dew, Senior Director of Ecosystem Marketing, Pixelworks, it was explained that TrueCut Motion gave James Cameron the ability to switch between a standard 24fps look for Avatar: The Way of Water’s more dialogue-laden terrestrial scenes, and a customized smooth look in the underwater ones.
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